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Posts from the ‘2ply Jumper Weight’ Category

Knitting With Cones

Hello everyone, thank you for the good feedback on our last post! Today we will go into something else we always get asked about – knitting with cones!

cones in our new back-shop area.

We offer quite a few of our ranges on cone but by far the most popular is our 2ply Jumper Weight, this is our traditional Shetland 4ply thickness wool that we have been producing since the 1960s. It’s available in over 100 shades and we often have most of these available.

We produce them in 500g cones. This is equal to 20 balls – approximately 2500 yards/2300 metres

Two shades we took back last year, left 9 and right 8

What is the difference between the yarn on cone or ball?

Nothing at all – when we order a shade we get a certain amount on cone and the rest on ball but initially the whole order is made on cone, the yarn to be turned into balls is then scoured and balled.

What would I use it for?

Lots of things! In Shetland cones are probably mostly used for knitting the body and sleeves of Yoke cardigans and jumpers and it is perfect for that but anything which needs a substantial amount of one shade will benefit from using a cone. Also if there is a shade you use a lot – it might be worth investing in a cone to always have to hand.

Why would I buy a cone over balls?

Cost: Because there are less production costs (no scouring, balling, bagging etc) the overall cost of a cone works out a lot cheaper than buying the balls – its over a 45% discount if you purchase it directly from us!

Ease of knitting: you just plop the cone down and knit! Compared to balls there are less ends, and within the cone you should find few if any knots which means a seamless garment will be just that.

Knitting Machine: If you have a knitting machine a cone is by far the easiest way to knit and because we sell the cones in oil (meaning the yarn is oiled with a synthetic oil – like sewing machine oil) that means the yarn will glide through the machine and not catch, and therefore break.

FC11

Can I handknit with a cone?

Of course, because the yarn is oiled it doesn’t feel the same as the balls but once washed it feels exactly the same. Anything made with the oiled yarn must be washed – we would advise this for any item made with Shetland Wool anyway but for the oiled yarn it is crucial, the oil is not meant to be next to skin and may irritate it.

Some people do not like the feeling of the oiled yarn to knit with so you can hank/skein the yarn, wash then wind it into balls if you prefer but it is not necessary.

The only time we would advise taking care would be if you were knitting with a very strong colour (black, red, blue etc) alongside a lighter colour as the stronger pigments can attach to the oil and bleed when first washed. In this case, we would wind off and wash or use a colour catcher when washing.

1281

What about swatching?

If you need to swatch you must wash the swatch – the gauge is not reliable until its washed as with the oil it can look much thinner and therefore not give you a reliable tension.

How do you wash out the oil?

To remove the oil you need to submerge the item in very hot (not boiling) water along with a wool wash or hand wash wool detergent. You will see a lot of grey water which is the oil and perhaps some of the colour of the yarn as the dye can attach to the oil. Its best to leave the item (without agitating for up to an hour. Then rinse and repeat until the water runs completely clear.

We also offer our undyed Jumper Weight range on cone too – Shetland Supreme Jumper Weight is completely undyed and available in 9 Natural shades. Because this is a rarer fibre we don’t always have all the colours on cone available but as is the case with any product on our website you can add your email address to an ‘in-stock alert’ and it will email you as soon as we add more.

Sometimes there can be a long wait between us getting more of particular shades or ranges on cone, its important to understand that the cones are something we have chosen to offer to our retail customers as an extra to balls. We have to order large amounts of individual shades, and we are always trying to find the balance in ordering enough to sustain our physical shop, online shop and all our stockists. This is all done by us here in Shetland so we are grateful for your patience and understanding.

If you are a Lace knitter we also sometimes have our 1ply Cobweb, 1ply and 2ply Supreme Lace and Shetland Heritage ranges available on cone. You just need to keep an eye out on our online shop if the shade you want is not available.

If you have any more questions about knitting from a cone – just ask. Happy Knitting!

Garment Patterns

Hello everyone, a few weeks ago we launched Sandra’s most recent garment pattern – the Joseph Slipover:

This tank top features traditional motifs and techniques but uses 10 zingy shades of 2ply Jumper Weight, we have the sample in the shop and everyone comments on just how bright it is! It’s knit completely in the round using steeks for the neck and armholes, you might recognise the motif and colours from the Parrots of the Rainforest Mitts, Sandra just wasn’t finished with it..

We thought we’d go through our other single garment patterns we have available at J&S, knitting a full garment can be intimidating – especially in fine yarn but we have a wide range of styles to make your entry (or re-entry) into garment knitting as easy as possible!

Our heritage and traditions here in Shetland are important to us and our main focus will always be Shetland/Fair Isle or inspired styles so we have a number of Allover garment designs which are as the name implies patterns featuring an all-over pattern:

Click here to see the patterns: Roadside Allover, Lynsey Sweater, Fair Isle V-Neck Jumper and Antarctica Allover

As well as the Joseph Slipover we also have the Cruden pattern, if sleeves are not something you fancy (unfortunately there are usually two of them..!)

Click here: Cruden

and another popular Shetland style – yokes!

Click here: Adenia, Eid, Moorie, Ola, Winter Yoke, Sandvoe and Hairst Yoke

Bairns patterns are something we also have a few of – this can be a great introduction to Shetland Garment knitting, all the main skills being used just on a smaller scale:

Click here: Natalia, Bairns Crofthoose, Peerie Lynsey, Gremista Gansey and Peerie Bairns Jumper

So that’s just some of the garment patterns we have available at J&S, unfortunately, our website doesn’t have the capabilities to have kits for all the different sizes but it means you can change colours, add extra balls or just purchase the pattern if that’s how you feel! We have the amounts and shades listed on the pattern pages so you can just make a list and add the colours to your basket.

Please note: many of these patterns are available digitally either from us on Ravelry or payhip or directly from the designer. If you are outside the UK you might find the p&p is expensive for just a pattern so we would encourage you to see first if it’s available digitally or add the pattern to an order. Happy knitting!

Elizabethan Cowl and 50g Jumper Weight

Hello everyone, you may seen our post on social media last week but we thought we’d share more detail about one of our new patterns and the perfect yarn pairing to go with it!

Sandra designed this cowl – The Elizabethan Cowl in 2ply Jumper weight to use two shades in a fully reversible design, the motif is inverted from one side to the other. It’s worked in the round – you cast on, work one side then switch the colours and work the other side. It’s then cast off and seamed together.

For the yarn, we had a balling mishap recently whereas 8 shades of 2ply Jumper Weight were balled into 50g instead of the normal 25g BUT our mistake is your gain and we are offering them at a discount individually here or in a full pack for a bigger discount here.

They ended up working perfectly for the Elizabethan Cowl because you only need one 50g ball (or two 25g balls) of two shades so you can find the paper pattern here, or the kit or if you already have the wool the pattern is available digitally on payhip and raverly.

So if you fancy any of these slightly bigger balls this is your chance to pick them up – we dont think they will last long.. Happy Knitting!

New Colours

Hello everyone, today we are posting about a few new colours we have got back in over the past while in Jumper and Lace Weight, we are lucky that because we have been making yarn since the 1960’s we have a huge bank of shades from over the years that we can refer to. We are always looking at what’s missing from the 2ply Jumper range and we have recently added 4 new colours:

92 – bright marigold yellow

135 – mid navy

1285 – bright rust mix

FC13 – dark red mix

We have all 4 shades available on cone and ball at the moment, we are waiting for Shade cards to be printed for the new shades so for the moment they are not on the cards but they will be soon and they are on our digital shade card which you can find here, this is good for looking on a device (phone, laptop etc) but I wouldnt suggest printing it as it wont be accurate.

The new shades really add to some of the blending options for Jumper Weight – you can see below how they give just a bit more dimension which works great for Fair Isle knitting.

We have also taken back two shades of 2ply Lace Weight: L38 and L62, thes shades round out the 2ply Lace really well:

L38 – Bright Sherbet Orange

L62 – Marled Blue Purple Mix

You can see below how well they go with some of the other lace shades:

L-R: L40, L69 and L62

L-R: L125, L38 and L53

And last week we took in a batch of 2ply Lace in L1a – this is our natural white 2ply lace shade which we discontinued a few years ago, so if you are interested in a more ‘off white’ look for your project in the Woollen Spun 2ply Lace this is a great option and we are not planning to take it back in permanently so grab it while you can!

Below you can see it alongside the other ‘Natural’ – (all shades in the 2ply Lace are Dyed) colours, L-R: L1, L1A, L202, L3, L78, L4 and L5.

So thats a few new colours for us, we hope you like them – happy knitting!

Wirsit Inspo February – March

Hello everyone, happy weekend – today we are sharing here more of our weekly Wirsit Inspo (wool inspiration) pictures that we post on Facebook and Instagram, these cover what we posted in February and March so next week we’ll be back with rest of March til now:

Beach Finds, 2ply Jumper Weight Shades: 1, 203, FC6,FC7, 9097 and 81
Bog Cotton and Sunshine, 2ply Jumper Weight: 1, 16, 121, FC11, FC12 and FC44.
Powerful Sea, 2ply Jumper Weight: 1, 203, FC61, 54 and 81.
Charisma, 2ply Jumper Weight: FC47, 16, 1, 91, 23 and FC21.
Wild Flowers, 2ply Jumper Weight: 23, FC22, 9097, 202, FC11 and 118
Fladdabister Sheep, 2ply Jumper Weight: 122, 4, 1281, 203, 14 and 1A.

We hope you like seeing these posts as much as we like putting them together, they are to give you ideas for Fair Isle, colourwork, stripes, lace – anything. It shows how much our colour palette is inspired by our surroundings here in Shetland. Happy knitting!

Da Crofters Kep Kit Pre-Orders

Hello everyone, you may have seen that today the new Shetland Wool Week hat pattern – Da Crofters Kep was launched!!

Sadly again this year Shetland Wool Week will be online (keep an eye out later in the year for more on that!) but this means that Wilma Malcomson has continued her reign as Patron for another year and designed another beautiful hat, Da Crofters Kep.

Unfortunately, even with planning and ordering ahead, we are out of stock of one of the shades (FC38) in the J&S colourway 😦 Lockdown, coronavirus etc etc has really impacted our production chain as it has for many people and businesses but we are offering a pre-order option for our colourway.

If you order it you will pay for it now but it will not be posted until we have the full kit in stock – we are hoping it will be less than a month but we cannot guarantee this, we are asking for your understanding and patience with this and you can be sure AS SOON as that missing shade appears we will be getting those kits out!

2021 Shetland Wool Week Hat J&S Colourway: 2ply Jumper Weight FC46, 82, FC38, 122, 32 and Shetland Supreme Jumper Weight 2005 Shetland Black.

As always with the Wool Week Hat patterns we love to see the variety in everyone’s finished hats and for this design you need two balls of your main shade (one if you use Shetland Supreme Jumper weight) and one ball each of 5 contrast shades of 2ply Jumper Weight.

We cant wait to see everyones Crofter Keps! Happy Knitting!

UPDATE 30/4 We now have kits available and have fulfilled all the pre-orders. You can order kits here

More Wirsit Inspo

Hello everyone,

As promised on our last Wirsit Inspo blog here are all the inspiration pictures we have posted on our Instagram and Facebook. Every week I (Ella) scour my photo archives for pictures from all seasons and match them up with 2ply Jumper Weight (mainly due to the shade range but I am always looking to use other ranges too!)

So here they are and as long as you keep enjoying them we will keep posting them:

Puffin in Fair Isle: FC21, 54, 91, 125, 1, 77 and FC12.

Wintery Walks, Lerwick. Shades 1, 75, FC34, FC38 and FC44.

Laburnum and Aliums, Lerwick Flower Park, Summer 2020. Shades 23, 123, FC24, FC11 and FC12.

2020 Lerwick Up Helly Aa Galley, shades 1, 121, 1403, 132 and FC41.

Stenness Haaf Station, Eshaness. Shades 1A, 90, 142, 78 and 54.

Sandy banks of a Shetland Beach, Yell. Shades FC15, FC12, 121, FC43 and 202.

Wild and Windy Seas, Lerwick. Shades 1280, FC61, FC35, FC41 and 81.

Sea Pinks on the Rocks, Fair Isle. Shades 1, 54, 81, FC11, 52 and 1284.

Ronas Hill on Boxing Day, shades 1A, 14, 121, FC55 and FC44.

Kegord Trees in the Summer, shades 1, FC11, FC12, 82 and 4.

A wintery day on the Westside, shades 14, FC61, 1281, 122 and FC44.

Wintery Shetland Pony Foal, shades 122, FC44, 5, FC24, 14 and 1.

I hope you enjoyed that, happy knitting!

Wirsit Inspo

Hello everyone, If you follow our Instagram or Facebook page you will have seen over the past few months we have started doing weekly ‘Wirsit Inspo’ posts. basically, its where we take an image of something in Shetland and put a palette together inspired by the picture. I have mainly done them in 2ply Jumper Weight but have done one in 2ply Lace and I’m going to try and use more ranges too. When we post them they always get really good feedback so I thought we would share them here too:

Seaweed at the Shetland Museum Slipway. 2ply Jumper Weight top to bottom: 2. 1281, FC38, FC44, FC11

Seapinks and Sea, Northmavine. 2ply Jumper Weight top to bottom: FC61, 203, 121, 1283, FC12, 4

Wool Bales. 2ply Jumper Weight top to bottom: 81, 54, 1281, 2, 202

Peerie Boat, Shetland Museum. 2ply Jumper Weight top to bottom: 202, 66, 125, 16, 122, FC14

Scalloway Haa. 2ply Jumper Weight top to bottom: 3, 27, 1, 16, 101

Stratsraad Lehmkuhkl, Lerwick Harbour. 2ply Jumper Weight top to bottom: 36, 21, FC47, 91, 66, 1

Fading Heather, Nesting. 2ply Jumper Weight top to bottom: FC12, 80, FC38, 1284, FC21, 16

Sunset. 2ply Lace Weight top to bottom: L63, L15, L53, L96, L95

Wintery Beach. 2ply Jumper Weight top to bottom: 203, FC39, FC47, FC21, 2

The Lodberrie and Bains Beach. 2ply Jumper Weight top to bottom: 77, 54, FC61, 1281, 32

Seapinks, Sumburgh Head. 2ply Jumper Weight top to bottom: 81, FC41, FC11, FC6 and 1A

As we head into winter here (the sun set at 3.22pm yesterday..) it’s great to look back at pictures from seasons past, I will post them here every couple of months but you can follow the #wirsitinspo hashtag on Instagram to keep up with them as we post them, hope this has given you some inspiration,

happy knitting!

Ella

Working With Wool, A Guest Post from Vivian Ross-Smith

‘Form’. Shetland wool on Burlap. 20x21cm. 2018

You don’t have to look hard in my studio to find wool. There are balls of J&S yarn scattered everywhere and crimps of raw fleece dotted around my work benches. There’s a grip and bite to Shetland wool that is unlike any other wool I have used in my work; the texture is beautiful to hold and excellent to work with. J&S have an enticing range of colours waiting to grab your attention but it’s the natural shades that always sit best with my work. Reminding me of shearing sheep on my home island of Fair Isle.

‘Fair Isle Scattald’ 2018, acrylic on wood. 14 x 12 cm each (series of 17)

‘Ewes Out’ 2018. Shetland wool handstitched on canvas. 70 x 51 cm (Detail)

Some of my fondest childhood memories are gathering as a community to ‘caa’ sheep. This process involves walking through the rugged, heather-covered hills as one to manoeuvre the flock toward the ‘crü’, a large enclosed pen from which sheep can be sheared and dosed. Feeling the rich, almost sticky lanolin coat my hands as I prize fleece away from skin to find the growth line I will clip along. Not only have these textures, colours and smells stuck with me, the coming together of community to work collectively had a huge impact on me too. As with many artists, my personal history is an integral framework for my practice. The mentality and dynamic of island communities’ shapes my work, I approach my art as an islander.

‘But if you use the word craft, it’s like you’re politicising the word craft’, 2020. Shetland wool and acrylic on paper

‘Craft Conversations II’, 2020. Canvas, felt, acrylic, Shetland wool, wood and tracing paper

Materiality forms the backbone of my practice from which I explore the aesthetic qualities, as well as the cultural value of material. Fish skins, salt, wood, and hessian are paired with traditional island skill sets such as knitting, knotting, weaving and stitching to communicate craft, skill, isolation, and commitment to place. It is wool, however, that features in my work time and time again – a material completely intertwined with Shetland culture. When I use wool, I play a small part in feeding into the long and rich history of crofting, knitting and textiles in Shetland.

‘Stitch’, 2019. Hessian and Shetland wool. 24x24cm

‘Sorting + Grading’ 2019. Shetland wool and burlap. 140x80cm

‘Sorting + Grading’ 2019. Shetland wool and burlap. 140x80cm (Detail)

Living on a small island like Fair Isle simultaneously requires self-sufficiency and a willingness to rely on neighbours. Although not the only industries, the laborious working of land and sea through crofting and fishing, is still a common practice on Shetlands islands. I use my practice as a method of echoing the types of work that take place on islands, commitment to working in a repetitive and laborious way is mirrored through the rhythms and durational nature of my work, reminiscent of the ebb and flow of the sea, or the back and forth of a knitting machine. Alongside the workload of an islander comes a collective commitment to place and way of life, which highlights the need for a strong community, allowing a sharing of workload and the building of support structures. It is this joined-up thinking I am interested in. To me, islands are places of coming together.

Good Mother, 2018. Shetland wool handstitched on canvas. 70 x 51 cm

‘Moder Dy’, 2019. Haddock skins, Shetland wool, wooden bar

This shared working is very apparent in the crafts of the island and particularly in the knitting, where its commonplace to share patterns and knitting knowledge with neighbours, friends and family. The social aspect is what draws me to textiles and from that stance, my appreciation of wool as a material strengthens.

‘J+S’, 2019. Raw fleece hand-stitched with Jamieson and Smith yarn. 24×24 cm

I’ve never been taught how to use stitch properly, instead making it up as I go along with whatever means make sense to the work. The same goes for my knitting, although Fair Isle is my home island and I have been surrounded by exceptionally talented knitters for my whole life, I only taught myself to knit garments properly in 2017. My use of wool in my artwork has always been intuitive and centres around the development of tactile surfaces and trying to gain an understanding of the materials form and function.  piece could be as simple as exploring the relationship between raw and spun wool, yet the touch of the fleece, the smell of the lanolin, the individual crimps, keep my mind and hands engaged for hours. Or the conceptual could take forefront, how does craft practice fit into fine art? Is the internet the new craft space rather than gathering and making physically? Regardless of the starting point for a piece of work, it’s the material – and usually the wool – that my mind goes to first.

‘Craft Conversations III’ 2019. Shetland wool and canvas

 

I ask viewers to look at material from a perspective they’re not used to. I ask them to question its qualities, origins and if our understanding of the material itself can be built on. From this place of constant learning, a deep appreciation can be formed.

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Vivian Ross-Smith is an artist working from the Shetland Islands. She adopts a collaborative and systematic approach to making and sharing through painting, textiles and the digital. Her work creates space to discuss the practices of island life from a contemporary, fine art context and explores the textures, qualities and values of material and space. Ross-Smith’s work builds relationships and conversations between material, place and people and is as much about experiencing as it is about seeing.

 https://www.vivianrosssmith.com

@vrosssmith

Thank you Vivian for this guest post – we hope you are enjoying our Wool Week content – make sure to follow our instagram and subscribe to our youtube channel – if you haven’t already! Happy Knitting!

 

 

Northern Light KAL Final Projects!

Hello everyone, we have reached the end of our Northern Lights KAL! today I’m going to share the projects which have been finished during the KAL, the rules were that the item had to be inspired by the Northern Lights in Shetland and could use any style of knitting or any of our ranges of J&S yarn. If you want to see more pictures please click on the link on each picture – that will take you to the Ravelry project page.

We have spilt the poll into garments and accessories so once you’ve had a look over please vote for your favourite, Voting will be open for a week then we will reveal the winners next Tuesday in our Ravelry Group and on Instagram!

Garments

Shetland Skies

Sandvoe

Northern Lights KAL Jumper

Norrsken

Merrie Dancers Dress

Birkin

Thank you for voting, the poll is NOW CLOSED

Accessories

Shetland Mirry Dancers Night

Project Bag

Northern MN Lights

Northern Lights Cowl

Night Wing

Millions O Stars

Every Flavour

Bousta

Hap Cowl

Thank you for voting, the poll is NOW CLOSED

Happy Voting!