Winter Woollies KAL – so far…

We are now less than a month away from the end of the Winter Woollies KAL, and we have been so pleased with the amount of orders going out all over the world!! I thought I’d share some of the finished projects so far..

To see some of the pieces people have already finished have a look at the finished objects thread in our Ravelry group here. Theres also lots of chat and discussion in the general Winter Woollies KAL thread and people are sharing some of their progress shots, you can see that here

Photos taken from the Winter Woollies KAL thread

Photos taken from the Winter Woollies KAL thread

The KAL runs until the 15th December, we are loving seeing all the things people are coming up with so keep it up! The weather has turned in Shetland and on Saturday we had our first bit of Snow, in true Shetland form it is windy and rainy today but it was nice while it lasted and we are beginning to get very thankful for our woollens at Jamieson & Smith, til next time,

Happy Knitting!

Winter Woollies KAL: colour and patterns


Hello! We are so excited as to how many of you have picked up the colours for the Winter Woollies KAL! there is still plenty of time left to get involved so today I thought I’d share some of our thought on the colours and a few ideas for free patterns available on Ravelry.

As you know the Knit A Long requires you to use at least four shades so we (Me -Ella, Amy and Kharis) tried to pick 2 lots of four shades of 2ply Jumper Weight that worked together. Our first group is shades 1,203,FC34 and FC41


To us these colours make us think of dark nights, snow, ice, stormy skies and seas.. all typical of a winter in Shetland! our second group is FC43, FC38, 65 and 9113


These colours are more ‘inside’ inspired shades – roaring fires, christmas trees, baking and mulled wine.

We hoped  by having these two groups it might give people more ideas – of course you can mix and match to your hearts content, it is just a starting off point and by changing one or more you get a different look –

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Sometimes it can be daunting to try and come up with a pattern too, even once you have decided on your colours.. To that end I thought I’d show you some fun patterns all available for free on Ravelry – they all call for fingering weight yarn which is what 2ply Jumper Weight comes under and a few even call for 2ply Jumper Weight exactly (Fair Isle Cuffs, Kite Mitts, Shwook hat) so all you have to do is pick your colour arrangement..

You will see some of the patterns only use 2 or 3 shades, all this means is you will have to add a couple more shades in to get to your 4 colours. This is easily done by doing a bit of background shading or foreground shading. If you feel you need to rechart the Fair Isle into your colours there are a few good free options – one is this Chartmaker which is free, there are also a few good tutorials online about using Microsoft excel to colour a chart (like this one)

I hope this has given you some ideas! We cant wait to see peoples ideas begin to take shape – remember to tag your project on ravelry and instagram using #winterwoolliesKAL and to share your projects in the group on the Jamieson & Smith Lovers group page

Happy Knitting!

wool week wednesday and thursday

On Wednesday we began with a great class with the brilliant Felicity Ford


Felicitys book ‘The Knitsonik Stranded Colourwork Sourcebook’ focuses on finding your own inspiration and creating colourwork from that but in her J&S classes she decided to choose Shetland inspiration and picked a edited group of J&S shades of Jumper Weight to be used.


This meant everyone was working from the same source material but its amazing how different all the swatches came out!




Of course Felicity had her ever inspiring pile of swatches for inspiration


and at the end it was great to see what everyone had come up with


In the afternoon we had another Lace Class with Elizabeth Johnston of Shetland Handspun


Lots of concentration, scribbling and knitting followed..



Of course the shop has been very busy but things carry on and we are still getting out all our orders everyday!


Yesterday was the day for Mary Jane Mucklestone to come in a teach her class on knitting Fair Isle socks.


Mary Jane has written a number of lovely books and patterns and her colourwork skills are amazing! She has so many beautiful swatches which we layed out for inspiration


Socks are one skill and Fair Isle another so to combine them is a great skill and Mary Jane does it in a way which is not scary and before long everyone was knitting away



In the afternoon Gudrun Johnston was in doing her every popular Hap Shawl class


Gudruns beautiful Hansel pattern uses J&S 2ply Jumperweight and in this class she has everyone making a tiny version of the hap which covers all the separate elements of her Hap construction.




We have ran this class now for three years and Gudrun has a Craftsy Class on this subject but it is still very popular and always sells out!

Although its Friday we still have three days left of Wool Week so we will be back with the final few days! Til then, Happy Knitting!


Cunningsburgh Show 2015


On Wednesday Me (Ella) and Oliver headed down to Cunningsburgh in the South End of Shetland for the annual Show, Oliver was Judging the Wool, and I was judging the Colourbox Competition we hold each year with some of the shows.


When we arrived we had a peerie look around and then headed into the tent where the Wool Judging was to take place and Oliver begin judging the wool people had entered into the show.


Beginning in the late 1980’s they developed a Judging sheet for the wool, there are 5 or 6 categories which Oliver Judges each fleece against and gives them a mark out of a set amount. This is beneficial as it gives the entrants some explanation as to where they placed and how it can be improved for another year.




As well as the trophy fleece seen above, Oliver also judges a few other categories such a most commercially saleable fleece, which may be different to the best fleece!


While Oliver was doing the most of his judging (I took these photos at the beginning and end of his part) I headed over to the shed where the knitwear and crafts were


For the best few years we have done a competition with the rural shows where we chose a group of 8 shades of 2ply Jumper Weight to be used in Fair Isle knitting, the entrants then must knit an item using at least 5 of these shades. It has its own category and that’s what I was there to Judge!


The entries as ever were extremely strong and it’s always great to see how people have put the colours together, some colour selections are more popular than other years but as always we like it to be a challenge!


Unfortunately due to poor weather the Voe Show was cancelled this year, very kindly the Cunningsburgh Show committee decided along with the Voe Committee to show the Voe entries also so I Judged that too, there are always some extremely beautiful pieces of knitting in the Voe Show so I am really happy they were able to be in the Cunningsburgh Show!

12 13knit2Of course alongside the Colourbox Challange there is a huge amount of knitwear entered into the show14knitFrom Lace to Fair Isle there was a huge range of items to be seen


The fineness and skill in knitting Shetland Lace never ceases to amaze me and I was happy to see a few of our patterns knitted up, I spotted a Sheelagh and a Gibbie Shawl.


Understandably the knitwear was very busy with people coming to see how they and their friends had fared as well as just coming to see the skills on show.


Of course as it was a rural show there were lots of animals there too, obviously we spent a fair amount of time looking at all the sheep!

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22amooritBut as well as the sheep there were dogs, cattle, horses, ponies and poultry to name a few!






25hensIt was a very busy but great morning, as judges we were also treated to a lovely dinner at the hall! Of course I always have my eye out for nice knitwear..


I hope you enjoyed this peek into the Cunningsburgh Show! Til next time, Happy Knitting!

PS. remember there is still time to vote for Jamieson & Smith in the Best Brand for British Yarn category in the British Knitting Awards, if you like what we do at J&S you can vote for us here

Yarn Series – 2ply Jumper Weight

As mentioned in our last post we are starting this part of this series with our most famous yarn – 2ply Jumper Weight! This yarn is a Shetland classic and this weight of yarn is what almost all knitwear in Shetland is made from. From hats,gloves,scarfs,mittens and up to classic allovers and yokes this weight of yarn is perfect for colourwork and lace alike. Lightweight, warm but strong 2ply Jumper weight is a Woollen Spun yarn made from 100% Shetland Wool from sheep in Shetland. We currently sell this yarn in over 90 colours, spanning all colours of the rainbow and a few in between…


It was 1968 when Jamieson & Smith began to introduce knitting yarns into our business in order to sustain the employment and increase returns. It was decided to enlist T.M Hunters of Brora as the spinner, this was an obvious step as Hunters had been the main spinner of Shetland Wool since 1901. J&S had been hand sorting Shetland Wool for many years and they then created a ‘Wool Bank’ at Hunters and it was kept there in storage and the wool was drawn from the stock as and when it was needed. At first we started with the five natural shades: fawn, moorit, black, silver grey and dark grey. These shades were dyed to give a constant shade which you can’t do with undyed yarns as they tend to change due to the coloured wool stock available. These shades are still available and are numbered 202,4,5,203 and 54 respectively.


The yarns were spun to a Gala count, a woollen spun count system used in the Wool trade in Scotland and Ireland, the count is the number of hanks of 200 yards in one pound weight of yarn. Gala is short for Galashiels, an area in the borders of Scotland famed for its once buoyant textile industry, the 2ply Jumper Weight is a 2/21 Gala count and the New Metric count is 2/8.4nm. In handknitting terms 2ply Jumper Weight is equivalent to a 4ply weight yarn also known as fingering weight. We call it 2ply as it is made from 2plys of yarn but this doesn’t refer to the thickness of the yarn. The yarn used to be supplied in hanks or skeins but we have balled it in 25g balls since 2002 which is a good size for Fair Isle knitting. You can see the hanks in this old picture of the shop


Knitting comes in and out of fashion in Shetland as it does everywhere, although we have always and will always have knitters in Shetland various things over the years has meant the popularity peaks and dips. Unfortunately it has always been that Shetland knitters skills are highly undervalued and therefore underpriced, see Rosalyn Chapmans article in 60 North Magazine (page 11) Sadly this was the fact of life over the centuries where the merchant dictated the terms to the hard pressed knitter. Things like the Oil Boom era in the 1970’s and its subsequent higher wages meant Shetland knitting began a steep decline and the 1980’s were particularily tough for us and other textile businesses in Shetland. The reason I talk about the decline is to highlight than in order for us to keep making Shetland wool we have to make some tricky decisions and that did mean that over the years we had to cut colours of the Jumper Weight but we are refining it as we go, adding and removing colours as the trends change. Luckily at the moment we are currently experiencing a huge popularity in Shetland Wool and the Shetland style of knitting and rightly so thanks to things like Shetland Wool Week, the work of designers such as Kate Davies,Gudrun Johnston (and many,many more) and tied to that the strength of social media and how the internet open us up to a huge audience.


As well as the yarn being availlable on ball we also sell 2ply Jumper Weight on 500g cones, on cone the yarn is oiled for machine knitting as it helps it go through the machine better but we are often asked if you can use it for Hand knitting and you can. The oil is synthetic and will easily wash out, we would always encourage you to wash your finished items anyway but if you have used oiled yarn it is a must. The yarn will feel a bit thinner and might stain your fingers while you knit with it (especially darker shades with stronger pigments) but once it is washed the yarn will bloom and relax into its normal thickness. You might also wonder why we dont have all the shades available on cone at all times, the reason is we order balls and then get some on cone so we dont reorder until the ball stock goes down and as a result the cones will usually run out before we reorder.


If you have every visited our shop in the North Road in Lerwick you will know almost half the shop is taken up with the 2ply Jumper Weight, It runs in numerical order up the right hand side of the shop from shade 1A up to FC64 (If you every wondered FC stands for Fashion Colour!) As you can believe Sandra spends a lot of time filling up those shelves to keep the shop looking lovely and tidy. This is also where we gather up all the orders so we are forever running up and down this side of the shop!


If you are interested in seeing the colours available in Jumper Weight you can order a Shade Card here

We’ll be back next week with a look at one of our other yarn ranges, Happy weekend and happy knitting!


As you may know, Felicity Ford has recently published a book ‘The Stranded Colourwork Sourcebook‘ We took part in the original blog tour which was part of the kickstarter campaign to raise the funds for the book. The full amount for the project had already been raised by the time we did our original post so we knew this book was going to be a roaring success!! We were lucky that the first copies of the book arrived in Shetland when Felicity was here for Shetland Wool Week so we got one of the first peeks.  I sent Felicity a few more questions to see how she was feeling now the book has come out!

the_cover-950x4251: How did you find the process of writing the book and are you pleased with how it has come out? I think it is beautiful!

I really enjoyed writing the book; I was lucky to have a talented team who shared my vision and gave tons of love to its production. Additionally, I was able to share milestones with the project backers through the Kickstarter site. Working on the book felt like going an adventure with loads of friends and I think it is richer for having had encouragement, input, energy and skills from many KNITSONIK comrades.
The little sections describing each inspiration source were the parts I most enjoyed writing because I discovered so much about my local area while researching them. The Berkshire Records Office and the Local Studies section of the central library in Reading were really helpful, providing me with access to building plans and street directories. Seeing and touching these old documents from Reading’s past made me feel more connected to the history here.

As you will have seen, one section in the book celebrates my iconic Huntley & Palmers biscuit tin. I discovered through old census data that a William Chas Wellstead once lived at our address and that this individual had formerly worked as a tin-factory labourer. This information made my treasured little tin feel even more significant and personal. At the Berkshire Records Office I was enchanted to see the old building plans for the now demolished Huntley, Boorne & Stevens biscuit tin factory: this was where William once worked and where my tin was made.

Huntley_Boorne_Stevens-1-3Art_Deco-1Another snippet of local history celebrated in the book is an old pink Art Deco building on the Basingstoke Road. I was unable to discover when it was decorated in its distinctive shades. However in the Kelly’s Street Directory of 1949 the building was registered to Tokalon Ltd. (a cosmetics company) and when I found old Tokalon face powders on eBay the shades of pink were uncannily similar to the stucco facade.

TOKALON-1I don’t know if that was when it was painted but it’s a lovely coincidence!
These discoveries added extra context to my knitting and made me feel more connected to my town through stitches and patterns. Everyone who was involved in the project shared my joy in the lovely links between my knitting and my town and I feel that you can really see that in the final product.
I’m thrilled you think the book is beautiful. I am incredibly pleased with how it looks and want to credit the super talents of Fergus and Nic here because their photos and design are what really make the KNITSONIK Stranded Colourwork Sourcebook. Going on photo-shoots with Fergus was super fun as he really got the essence of the book and wanted to use the photos to show connections between my town and my knitting. The day when we went out together to photograph my bricks-inspired-swatch against the Reading brickwork was an especially happy one; I actually cried for joy when I saw his photos!

It was also thrilling to pass Ferg’s wonderful photos over to Nic and see what she would do with them. I especially like the spread for the page opening the chapter about knitting places because the way Nic arranged Ferg’s photos is superb. She said “I wanted to put you in the middle, in your car, with all your favourite places around you” which is such a nice way to think about that chapter and something I could never have come up with by myself.
These are just two examples of how my amazing comrades have enriched this book with their talents and undoubtedly the best thing about writing the book was working with wonderful people.

2: What are your dreams for people who are using the book? We have had lots of Shetlanders asking about it!
My dreams are that people using the book will feel empowered to design stranded colourwork from things they love! I want to show that creativity is not mysterious, and that it involves practical steps which can be practised by anyone who wants to play.

I hope the book will inspire knitters to start on hugely personal projects that feel rich and personal and significant… one of the reasons for spending all that time researching the history of old biscuit tins and factories is to show that these little things we notice each day really matter and are worthy of knitterly celebration.
I hope that reading the book will also inject a bit of fun and mischief into everyday life. The other day I saw a lovely message from Sarah who used to work for your company. She remarked on how the book had made her see some chimney pots in J&S yarn shades. That’s what it’s all about; finding inspiration and magic everywhere and cultivating creativity in unlikely places.

3: What are your best tips for people interested in colourwork but a bit scared to take the first step (apart from purchasing your book of course!) do you have any fail safe things to get colour and motifs inspirations from?

My top tip is to edit your inspiration source down to a manageable size. If you start with the idea “I want to knit a swatch based on my favourite beach” then you may be overwhelmed! But if you can make this idea a bit smaller – “I want to knit a swatch based on this bit of sand, maybe using this individual shell and these pebbles for pattern ideas” then it has already become more manageable. Creativity is really just about solving problems – the first problem to solve is usually that the initial idea is vague, so defining the brief more clearly is the first step. I think a lot of people are tempted to start with nature subjects – a tree or a landscape for instance – and though these are beautiful and picturesque subjects they can also be quite complex. A single tree contains so many different shades and lines and colours that it can be hard to know where to begin. I address this in the book in my chapter on plants, and there are definitely ways to make it easier to knit from the natural world but if this seems complicated then you can’t go wrong with pleasing food packaging! A tin, a cereal box, even the washing up liquid bottle can all be superb starting points for stranded colourwork. These generally contain just a handful of colours which are easy to identify and it can be fun to hunt about in an initially simple-looking object for hidden patterns and shapes. I was delighted that in Shetland during Wool Week several comrades brought Tunnocks chocolate wrappers to my workshops as their inspiration source – these are ideal as they have really strong graphic lines and superb, bold colours.

My favourite swatch in the book is the one based on my little handheld recorder. The object is so simple – just a little black plastic device with a digital screen and some buttons – that I really had to look hard to find details. Once I started, I had millions of ideas and it was a fun project.

So my best tips are to start with a small idea or to start with a big idea and then make it smaller!

4: How do you think writing this book has changed how you will approach colourwork in the future?

The main changes are that I have fallen in love with swatching (which I used to really dislike) and I feel more confident that you really can use anything as a starting point for designing stranded colourwork. When I started trying to design my own colourwork projects I didn’t know what I was doing; there were so many variables and I kept making ugly things or getting confused about the numbers or messing up the colours. As I solved each problem I got a bit more secure in my own creative process and my swatches got longer and longer as the ideas started really flowing.

In the Kickstarter video I said “I want to make this book for us” and in finding ways to clarify my process for other knitters, it inevitably became clearer to me. I had to put structure and language around what I do when I am designing stranded colourwork and that helped me to organise my thoughts. The result is that now I feel quite at home in the KNITSONIK system and know exactly where to start if I have an inspiration for stranded colourwork. I really hope the book makes others feel the same.

5: I really hope you liked working with our 2-ply Jumper Weight, I’m going to be horrible and make you choose your absolute favourite shade! If you can’t choose one, I at least want your top five!

Your 2-ply Jumper Weight is amazing and it was a pure delight to work with it for many reasons. Its provenance can be traced back to crofts on Shetland; its hand is soft and bloomy; and the range of shades is magnificent. After working on this book I almost know the shade card numbers by heart… there is no way I can choose one all time favourite shade, but my top five would be 9097, FC11, 202,1208 and 125.

90979097 is a calm red; it is the exact colour of the distant poppies that bloom on the horizon when driving my favourite road and it has a magical relationship with FC12 if you want to transition between red and green.

FC11FC11 is the most beautiful verdant green. It energises all plant-based design themes with its vivid hues; it is the colour of fresh leaves that have the sunlight passing through them.

202I think I used 202 more than any other shade in the book; it is an incredibly useful neutral shade and appears in many palettes with its translucent cool creaminess. It tempers brightness in surrounding shades and is really useful for describing such textures as faded pages or old paint; spots on a beach where the sunlight is hitting the sand; faded road markings and clouds. It is versatile and understated and I feel a must-have shade for every knitter trying to turn everyday inspirations into stranded colourwork!

12801280 is perfect for transitioning magically between purple and green shades as I discovered while I was knitting sloes. The bloom on a sloe is a beauteous and elusive thing but this shade I think goes some way towards capturing it.

125Finally I love 125 because it is almost the exact same colour as Reading Red. That is the colour that Reading clay fired to in the Victorian brickworks once plentiful in this town and there is nothing like it. You can see that the later bricks were not made of Reading clay because they are not the same vivid shade as your wonderful 125.

Thanks Felicity and Congratulations!

Wool Week Opening Ceremony


So today saw the opening ceremony of this years Wool Week, it was held in Mareel and there were lots and lots of visitors around!

IMG_3556For something different this year different textile makers and yarn producers all had a table to show off our wares to all the visitors. It worked great and we got to speak to lots of people

IMG_3559It was hard to know what to bring so I just took a selection of the yarns and products we make. It was inspiring to see the other makers too, like Mati Ventrillon

IMG_3564Linda Shearer and Ina Irvine, mother and daughter super knitters from Whalsay

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And Kathleen Anderson, a beautiful lace knitter


As well as lots of others. Of course like last year there was the fabulous Fair Isle Cake!


and lots of Shwook hats to be seen, the exclusive pattern designed by Hazel Tindall, patron of this years Wool Week

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Oliver was one of the speakers who opened Wool Week, and as always it was interesting to hear from him the origins of Shetland Wool Week and amazing to see how far it has come!


Cheers to a great Wool Week!!