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Posts from the ‘2ply Jumper Weight’ Category

Wirsit Inspo

Hello everyone, If you follow our Instagram or Facebook page you will have seen over the past few months we have started doing weekly ‘Wirsit Inspo’ posts. basically, its where we take an image of something in Shetland and put a palette together inspired by the picture. I have mainly done them in 2ply Jumper Weight but have done one in 2ply Lace and I’m going to try and use more ranges too. When we post them they always get really good feedback so I thought we would share them here too:

Seaweed at the Shetland Museum Slipway. 2ply Jumper Weight top to bottom: 2. 1281, FC38, FC44, FC11

Seapinks and Sea, Northmavine. 2ply Jumper Weight top to bottom: FC61, 203, 121, 1283, FC12, 4

Wool Bales. 2ply Jumper Weight top to bottom: 81, 54, 1281, 2, 202

Peerie Boat, Shetland Museum. 2ply Jumper Weight top to bottom: 202, 66, 125, 16, 122, FC14

Scalloway Haa. 2ply Jumper Weight top to bottom: 3, 27, 1, 16, 101

Stratsraad Lehmkuhkl, Lerwick Harbour. 2ply Jumper Weight top to bottom: 36, 21, FC47, 91, 66, 1

Fading Heather, Nesting. 2ply Jumper Weight top to bottom: FC12, 80, FC38, 1284, FC21, 16

Sunset. 2ply Lace Weight top to bottom: L63, L15, L53, L96, L95

Wintery Beach. 2ply Jumper Weight top to bottom: 203, FC39, FC47, FC21, 2

The Lodberrie and Bains Beach. 2ply Jumper Weight top to bottom: 77, 54, FC61, 1281, 32

Seapinks, Sumburgh Head. 2ply Jumper Weight top to bottom: 81, FC41, FC11, FC6 and 1A

As we head into winter here (the sun set at 3.22pm yesterday..) it’s great to look back at pictures from seasons past, I will post them here every couple of months but you can follow the #wirsitinspo hashtag on Instagram to keep up with them as we post them, hope this has given you some inspiration,

happy knitting!

Ella

Working With Wool, A Guest Post from Vivian Ross-Smith

‘Form’. Shetland wool on Burlap. 20x21cm. 2018

You don’t have to look hard in my studio to find wool. There are balls of J&S yarn scattered everywhere and crimps of raw fleece dotted around my work benches. There’s a grip and bite to Shetland wool that is unlike any other wool I have used in my work; the texture is beautiful to hold and excellent to work with. J&S have an enticing range of colours waiting to grab your attention but it’s the natural shades that always sit best with my work. Reminding me of shearing sheep on my home island of Fair Isle.

‘Fair Isle Scattald’ 2018, acrylic on wood. 14 x 12 cm each (series of 17)

‘Ewes Out’ 2018. Shetland wool handstitched on canvas. 70 x 51 cm (Detail)

Some of my fondest childhood memories are gathering as a community to ‘caa’ sheep. This process involves walking through the rugged, heather-covered hills as one to manoeuvre the flock toward the ‘crü’, a large enclosed pen from which sheep can be sheared and dosed. Feeling the rich, almost sticky lanolin coat my hands as I prize fleece away from skin to find the growth line I will clip along. Not only have these textures, colours and smells stuck with me, the coming together of community to work collectively had a huge impact on me too. As with many artists, my personal history is an integral framework for my practice. The mentality and dynamic of island communities’ shapes my work, I approach my art as an islander.

‘But if you use the word craft, it’s like you’re politicising the word craft’, 2020. Shetland wool and acrylic on paper

‘Craft Conversations II’, 2020. Canvas, felt, acrylic, Shetland wool, wood and tracing paper

Materiality forms the backbone of my practice from which I explore the aesthetic qualities, as well as the cultural value of material. Fish skins, salt, wood, and hessian are paired with traditional island skill sets such as knitting, knotting, weaving and stitching to communicate craft, skill, isolation, and commitment to place. It is wool, however, that features in my work time and time again – a material completely intertwined with Shetland culture. When I use wool, I play a small part in feeding into the long and rich history of crofting, knitting and textiles in Shetland.

‘Stitch’, 2019. Hessian and Shetland wool. 24x24cm

‘Sorting + Grading’ 2019. Shetland wool and burlap. 140x80cm

‘Sorting + Grading’ 2019. Shetland wool and burlap. 140x80cm (Detail)

Living on a small island like Fair Isle simultaneously requires self-sufficiency and a willingness to rely on neighbours. Although not the only industries, the laborious working of land and sea through crofting and fishing, is still a common practice on Shetlands islands. I use my practice as a method of echoing the types of work that take place on islands, commitment to working in a repetitive and laborious way is mirrored through the rhythms and durational nature of my work, reminiscent of the ebb and flow of the sea, or the back and forth of a knitting machine. Alongside the workload of an islander comes a collective commitment to place and way of life, which highlights the need for a strong community, allowing a sharing of workload and the building of support structures. It is this joined-up thinking I am interested in. To me, islands are places of coming together.

Good Mother, 2018. Shetland wool handstitched on canvas. 70 x 51 cm

‘Moder Dy’, 2019. Haddock skins, Shetland wool, wooden bar

This shared working is very apparent in the crafts of the island and particularly in the knitting, where its commonplace to share patterns and knitting knowledge with neighbours, friends and family. The social aspect is what draws me to textiles and from that stance, my appreciation of wool as a material strengthens.

‘J+S’, 2019. Raw fleece hand-stitched with Jamieson and Smith yarn. 24×24 cm

I’ve never been taught how to use stitch properly, instead making it up as I go along with whatever means make sense to the work. The same goes for my knitting, although Fair Isle is my home island and I have been surrounded by exceptionally talented knitters for my whole life, I only taught myself to knit garments properly in 2017. My use of wool in my artwork has always been intuitive and centres around the development of tactile surfaces and trying to gain an understanding of the materials form and function.  piece could be as simple as exploring the relationship between raw and spun wool, yet the touch of the fleece, the smell of the lanolin, the individual crimps, keep my mind and hands engaged for hours. Or the conceptual could take forefront, how does craft practice fit into fine art? Is the internet the new craft space rather than gathering and making physically? Regardless of the starting point for a piece of work, it’s the material – and usually the wool – that my mind goes to first.

‘Craft Conversations III’ 2019. Shetland wool and canvas

 

I ask viewers to look at material from a perspective they’re not used to. I ask them to question its qualities, origins and if our understanding of the material itself can be built on. From this place of constant learning, a deep appreciation can be formed.

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Vivian Ross-Smith is an artist working from the Shetland Islands. She adopts a collaborative and systematic approach to making and sharing through painting, textiles and the digital. Her work creates space to discuss the practices of island life from a contemporary, fine art context and explores the textures, qualities and values of material and space. Ross-Smith’s work builds relationships and conversations between material, place and people and is as much about experiencing as it is about seeing.

 https://www.vivianrosssmith.com

@vrosssmith

Thank you Vivian for this guest post – we hope you are enjoying our Wool Week content – make sure to follow our instagram and subscribe to our youtube channel – if you haven’t already! Happy Knitting!

 

 

Northern Light KAL Final Projects!

Hello everyone, we have reached the end of our Northern Lights KAL! today I’m going to share the projects which have been finished during the KAL, the rules were that the item had to be inspired by the Northern Lights in Shetland and could use any style of knitting or any of our ranges of J&S yarn. If you want to see more pictures please click on the link on each picture – that will take you to the Ravelry project page.

We have spilt the poll into garments and accessories so once you’ve had a look over please vote for your favourite, Voting will be open for a week then we will reveal the winners next Tuesday in our Ravelry Group and on Instagram!

Garments

Shetland Skies

Sandvoe

Northern Lights KAL Jumper

Norrsken

Merrie Dancers Dress

Birkin

Thank you for voting, the poll is NOW CLOSED

Accessories

Shetland Mirry Dancers Night

Project Bag

Northern MN Lights

Northern Lights Cowl

Night Wing

Millions O Stars

Every Flavour

Bousta

Hap Cowl

Thank you for voting, the poll is NOW CLOSED

Happy Voting!

Lockdown Inspiration

Hello everyone, we hope you are staying safe and well. I thought today we’d share some inspiring finished projects which have been shared to our Ravelry group, it’s always interesting to see what other people have been working on using our yarns and it can give you great ideas on patterns, colours and yarns to use:

Starting with this beautiful version of Vaila from the Vintage Shetland Book, we love the colours Kim chose in 2ply Jumper Weight and although the shades are quite modern and bright it still gives off great vintage vibes!

We shared this project on our social media last week but its so lovely, its the Quaarl Hat pattern knit in Supreme Jumper Weight. We love the big motif on the main body of the hat – it’s so impactful and in the natural shades it’s just beautiful.

This cardigan knit in Shetland Heritage really stood out to me when I saw it and its a great example of someone taking elements from a pattern to make something perfect for them. The lace pattern is from one of the designs in the Legacy of Shetland Lace book. Light Grey Heritage is such a beautiful colour!

This scarf is knit using 2ply Supreme Lace held together in a marl and the finished project is so great! We love that it shows the different things you can do with laceweight and the way all the natural colours work together is so inspiring. The pattern is from the new Cecelia Campochiaro book ‘Making Marls

This project stood out thanks to the use of Purl Bumps in this pattern, aptly called Purl Bump Mitts is so great and the cuff and fingers texture is so good. simple but so effective! Although it looks like black and white the dark shade is actually Jumper Weight shade 82 which is a really dark green – it works so well with the white.

This project shows off the beautiful finished texture of the Shetland Aran Worsted, it looks so soft and the colourwork is so strong, The pattern is Speedy Selbu Mittens and the colour choice is that bit different than usual but still so effective (Berry Wine and Fluggy White).

Looking at the recently shared projects on Ravelry always leads you down a happy rabbit hole so during this time when many of us have a bit more time you can spend time looking at some really inspiring projects knit using J&S yarns.

Again we’d like to thank you for your support during this time, happy knitting! x

More Pattern PDF’s Available Online

Hello everyone, we’ve added 4 more PDF patterns to our Lovecraft’s and Ravelry stores this week, they cover a range of classic Shetland patterns:

First up is the Yuglet Hat designed by Lesley Smith this is a classic Shetland cap with corrugated rib, traditional motifs and an easy but very effective crown. Its knit in Shetland Supreme Jumper Weight in all Natural shades.

The next pattern is our Circular Shaded Shawl knit in Shetland Heritage Naturals, originally designed by Gladys Amedro and knit in 2ply Lace we updated this pattern a few years ago with charts and written instructions.

Our Natalia Yoke by Sandra is a classic Bairns Yoke knit in Jumper Weight, It is knit traditionally in the round with a steek but it also includes instructions for if you wanted to knit it flat, the relatively small size makes it a great first steeking project, and as there are only 3 different contrast shades a great first Fair Isle project too.

Our final pattern this week is the Shoormal Hap, also knit in Shetland Heritage Naturals, this Hap pattern is taken from the Traditional Shetland Scarves and Shawls booklet (Bestway K133) This pattern is described as ‘one of the most widely known and characteristic of Shetland designs..’ we made improvements on the pattern making it easier to follow and knit and have provided both written and charted instructions for the border and edging.

So you can find all these patterns on both our Ravelry shop and Lovecraft’s page, if you would prefer a paper copy and kit they are all available on the website. Happy Knitting!

Shetland Wool Week Scarf Project

Hello everyone, happy Friday! Today we thought we’d share some images of a project we took part in during Shetland Wool Week which was coordinated by Faye Hackers of the Shetland College.

The project took inspiration from people known in the Shetland Textile industry who provided Faye with imagery and text about what they love about Shetland, this was then taken by Faye and designed into one-off scarfs which were auctioned off for charity during a silent auction at Wool Week.

Among the people asked were J&S’s own Oliver and Ella, former patrons Donna Smith, Elizabeth Johnston and Hazel Tindall. For more information see Fayes Instagram posts. We love how different each scarf was:

We were happy to donate all the yarn for the project meaning the scarves were knit in 2ply Jumper Weight or Shetland Heritage, in total the auction raised £1,776.00 of which 100% will be donated to charity as we provided the yarn for free. The charities chosen by the individuals were: Cancer Research UK, CLAN, Shetland MRI Scanner Appeal, Mind Your Head, GlobalYell, Lerwick Brass Band and Whalsay Heritage Centre.

All and all it was a great project!

Model and white photography: Faye Hackers

Museum Photos: John Hunter

Models: Akshay Borges and Alanah Young

Ollie Dolly!

Hello everyone, happy Friday! A few weeks ago we received an email from a customer in Australia, Debra Hinton who had made a doll featuring our very own, and this year’s wool week patron, Oliver Henry!

Debra had kindly mentioned in her email she would be happy to have the pattern available free so we are offering it to you here if you would like to make your own peerie Ollie! I (Ella) decided to make one and for my first knitted doll – I’m very pleased! I found the pattern easy to follow and it just took me a few nights of working on it before he was finished.

It’s knit using 2ply Jumper Weight and stuffed with our Wool Balls – I went for shades 21 (blue), 53 (peach) 54 (dark grey) 203 (light grey) and 9097 (red). For the boiler suit details, I used sewing thread held double in a bronze shade.

So if you would like to make your own Oliver you can get the pattern by clicking here: oliver henry man of wool doll. Although it is free (for non-commercial use i.e you can make it for yourself or for a gift, not for sale) she did mention she would be happy for people to make a small donation to the MRI Maakers appeal.

If you are coming to Wool Week and would like to make one we would love for you to bring your doll so we can take a picture and show Oliver, we’d love to see how many we can see before the Week is out!

Unst Show 2019

Hello everyone, me (Ella) and Sandra headed up to Unst on Saturday for the Unst Show. This is a trip which involves getting two ferries so we were up early and make our way up there to judge the knitwear entries which for the first year also included a colourbox section! You will know if you regularly read our blogs or look at our facebook and Instagram that this year we have been to Voe, Cunningsburgh and Walls to judge the Colourbox. This is a selection of 8 shades of  2ply Jumper Weight which we chose – the entrants then have to use at least 5 of the 8 shades in their creations.

 

There was a great mix of garments and accessories and we were really pleased with the number of entries for the first Colourbox at Unst. We also judged the rest of the knitwear and as expected for Unst (known for its beautiful lace) there were some amazing entries – and quite a few Roadside Beanies!

Sadly it was a very wet day and although Sandra and I thought we were suitably attired it became apparent very quickly we were not! Luckily our judging was indoors but it meant we didn’t get to see all the animals, I had a quick look around the sheep though so thought you might like to see a few damp but happy enough sheep.

We also went to the Unst Heritage Centre which was across from the show field (to try and dry off) to look at the amazing lace on show and we really enjoyed that, it is well worth a visit.

It was a good trip and marked the end of our show season, the Yell show is on this weekend and that is the last. Summer certainly feels like it’s over now but that means one thing – soon its Shetland Wool Week!

Happy Knitting! 🙂

Another Batch of Patterns

Hello everyone, we have had a busy couple of weeks here in Shetland. The Wool Season is well underway and often we struggle to see the boys in the Woolstore under the mountain of Oo! We have been busy in the shop too with lots of visitors and groups, we also recently had the end of our Seasons of the Shetland Crofter competition so we are looking forward to showing you the results of that project – the photos which were entered were great!

We have added another batch of 4 patterns to our Ravely and Lovecraft’s pages, this week we have chosen the Sissal Mitts and Hat, Eva Shawl, Fair Isle Vneck Jumper and the Pam Shawl.

The Pam Shawl is another Gladys Amedro pattern, its knit in 2ply lace and alongside the usual Hap motifs, it also features a cable border and twist motif. it was originally in the Shetland Lace book (now out of print) but we have always had it as a paper pattern so now its available as a PDF. As with many of Gladys’ patterns, they follow her abbreviation style which may take a moment to get used to but once you do it makes sense, it is an entirely written out pattern and contains no charts.

The Fair Isle Vneck Jumper is from our Shetland Heritage collection and is knit from a garment in the Shetland Museum and Archives, you can see that every lozenge is a different pattern – making it the perfect knit to keep you on your toes! knit in the Shetland Heritage yarn, a worsted spun light fingering weight it is a great layer for when it’s not too cold (amazingly like Shetland at the moment!!)

The Eva Shawl was originally sold as the Shoulder Shawl but for the Wool Week Collection in 2011 we redeveloped it as the Eva Shawl and it was knit in Shetland Supreme 1ply and the pattern had charts added. Its a beautiful and elegant shawl which has been used several times as a wedding veil due to the shape.

The final pattern this week is the Sissal Mitts and Hat, these are the perfect project for Fair Isle beginners and enthusiasts alike, the background colours stay the same the whole way through throughout the project. Its knit with Shetland Supreme Jumper Weight as the main colour and 2ply Jumper Weight as the pattern colours – we are often asked if you can knit them together and you can! You can see how they work great together.

So you can find these patterns and the others we have made available as PDF’s on Ravelry and Lovecrafts, happy knitting!

This weeks patterns

Hello everyone, we’ve added some more patterns this week to both Lovecraft’s and Ravelry. We are trying to add a mix of Fair Isle and Lace every week to give you a good choice of patterns knit in a range of our yarns.

Bluebell is a pattern which always sells well in the shop when people see the sample, its knit in 2ply Lace and features corrugated rib and a simple Sanquhar inspired Fair Isle motif. This makes it a lovely lightweight garment that still features some interesting elements.

Shetland Crescent which was designed by Kieran Foley was released in our Lace Collection in 2012 and although its a simple introduction to Lace motifs the finished shawl has a lot of impact, its another one which sells well when people see the sample. Knit in Shetland Supreme 2ply Lace, an undyed worsted spun yarn, it has drape which works well with the shape.

The Oxna Mitts are another classic Shetland pattern designed by Sandra, they are simple fingerless mitts with a Norwegian star and seeding to the palms. Knit in Shetland Supreme Jumper Weight and 2ply Jumper Weight these are perfect for keeping your hands warm but your fingers free.

The Sletts Shawl is a remake of our Gladys Amedro patterns (L252) Originally knit in 2ply Lace (and still available as a kit here) we recently remade the shawl in Shetland Supreme 2ply Lace and updated the pattern with Charts. This is a great entry into Square Shetland Shawls, and perfect for wrapping up a baby!

As always let us know if there are any specific patterns you would like to have available as downloads, happy knitting!

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