Natalia’s Yoke

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Today we have an exciting new pattern to share, we often get asked about childs yoke cardigan patterns, much like our adult Hairst Yoke. This is one of the many kinds of patterns Shetlanders pass down generation to generation which makes it difficult to find a traditional pattern to make, but now Sandra has designed one for us!

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The cardigan is called the Natalia Yoke, named after our very cute model and Kharis’ niece. It is knit using 2ply Jumper Weight and comes in sizes 22 inches up to 28″. It is knit traditionally in the round with a steek but it also includes instructions for if you wanted to knit it flat, the relatively small size makes it a great first steeking project, and as there are only 3 different contrast shades a great first Fair Isle project too.

If you would like to order the kit for the Natalia yoke you can do so on our website here!

happy knitting!

Winter Woollies KAL 2015

We have had a busy few weeks since we came back after the Christmas break, so one thing I haven’t had a chance to do is reveal the winner of the Winter Woollies KAL we had towards the end of last year. If you want to read more about what we did, see here and here.

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So after a lot of deliberation we choose Bev’s project as our winner!

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Bev actually used all the shades in her Hat and Mittens, we only required 5 or more to be used but we thought she put them together so well in her finished project, look at that lovely corrugated rib! For her prize we sent her a copy of our book Knit Real Shetland and a selection of 2ply Jumper Weight in her choice.

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If you want to see some more examples of what people made, have a look at the finished objects thread on Ravelry here. If you have any ideas of different kinds of Knit a Longs you would like us to do, leave a comment here or send us an email: mailroom@shetlandwoolbrokers.co.uk we had great fun doing it and would love to do more!

Happy Knitting xx

Winter Woollies KAL – so far…

We are now less than a month away from the end of the Winter Woollies KAL, and we have been so pleased with the amount of orders going out all over the world!! I thought I’d share some of the finished projects so far..

To see some of the pieces people have already finished have a look at the finished objects thread in our Ravelry group here. Theres also lots of chat and discussion in the general Winter Woollies KAL thread and people are sharing some of their progress shots, you can see that here

Photos taken from the Winter Woollies KAL thread

Photos taken from the Winter Woollies KAL thread

The KAL runs until the 15th December, we are loving seeing all the things people are coming up with so keep it up! The weather has turned in Shetland and on Saturday we had our first bit of Snow, in true Shetland form it is windy and rainy today but it was nice while it lasted and we are beginning to get very thankful for our woollens at Jamieson & Smith, til next time,

Happy Knitting!

winter woollies KAL

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The weather is beginning to cool down and things are beginning to feel very wintery in Shetland, so we’ve decided to run a fun KAL (knit-a-long) with a winter theme!

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The Jamieson & Smith Winter Woollies KAL 2015!

we know people all over the world are often interested in our Colourbox Challenge we hold with the local agricultural shows in Shetland, this is your chance to get involved with something similar, we have chosen a group of wintery/chrismassy shades and we want you to create some winter accessories using this curated group of shades of 2ply Jumper Weight – it can be headwear,neckwear,gloves,mittens,mitts,socks,legwarmers etc etc….

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rules:

  • you can use any pre designed pattern or create your own.
  • item must be a accessory as described above.
  • use at least four colours but up to eight from the selected shades: 1, 203, FC34, FC41, FC43, FC38, 65 and 9113 – to be eligible only these shades can be used.
  • item must contain some stranded colourwork/Fair Isle techniques.
  • the KAL runs from now until 15th December

There will be a ravelry thread in the Jamieson & Smith Ravelry group and for easy searching you can use the hashtag #winterwoolliesKAL on instagram and ravelry. If your not on Ravelry or Instagram you can still take part, just send your final photos of your projects to mailroom@shetlandwoolbrokers.co.uk.

We will choose a winner after the 15th of December and they will receive a fun J&S prize!

We cant wait to see what you come up with, happy knitting!

wool week wednesday and thursday

On Wednesday we began with a great class with the brilliant Felicity Ford

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Felicitys book ‘The Knitsonik Stranded Colourwork Sourcebook’ focuses on finding your own inspiration and creating colourwork from that but in her J&S classes she decided to choose Shetland inspiration and picked a edited group of J&S shades of Jumper Weight to be used.

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This meant everyone was working from the same source material but its amazing how different all the swatches came out!

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Of course Felicity had her ever inspiring pile of swatches for inspiration

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and at the end it was great to see what everyone had come up with

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In the afternoon we had another Lace Class with Elizabeth Johnston of Shetland Handspun

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Lots of concentration, scribbling and knitting followed..

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Of course the shop has been very busy but things carry on and we are still getting out all our orders everyday!

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Yesterday was the day for Mary Jane Mucklestone to come in a teach her class on knitting Fair Isle socks.

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Mary Jane has written a number of lovely books and patterns and her colourwork skills are amazing! She has so many beautiful swatches which we layed out for inspiration

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Socks are one skill and Fair Isle another so to combine them is a great skill and Mary Jane does it in a way which is not scary and before long everyone was knitting away

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In the afternoon Gudrun Johnston was in doing her every popular Hap Shawl class

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Gudruns beautiful Hansel pattern uses J&S 2ply Jumperweight and in this class she has everyone making a tiny version of the hap which covers all the separate elements of her Hap construction.

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We have ran this class now for three years and Gudrun has a Craftsy Class on this subject but it is still very popular and always sells out!

Although its Friday we still have three days left of Wool Week so we will be back with the final few days! Til then, Happy Knitting!

 

Cunningsburgh Show 2015

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On Wednesday Me (Ella) and Oliver headed down to Cunningsburgh in the South End of Shetland for the annual Show, Oliver was Judging the Wool, and I was judging the Colourbox Competition we hold each year with some of the shows.

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When we arrived we had a peerie look around and then headed into the tent where the Wool Judging was to take place and Oliver begin judging the wool people had entered into the show.

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Beginning in the late 1980’s they developed a Judging sheet for the wool, there are 5 or 6 categories which Oliver Judges each fleece against and gives them a mark out of a set amount. This is beneficial as it gives the entrants some explanation as to where they placed and how it can be improved for another year.

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As well as the trophy fleece seen above, Oliver also judges a few other categories such a most commercially saleable fleece, which may be different to the best fleece!

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While Oliver was doing the most of his judging (I took these photos at the beginning and end of his part) I headed over to the shed where the knitwear and crafts were

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For the best few years we have done a competition with the rural shows where we chose a group of 8 shades of 2ply Jumper Weight to be used in Fair Isle knitting, the entrants then must knit an item using at least 5 of these shades. It has its own category and that’s what I was there to Judge!

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The entries as ever were extremely strong and it’s always great to see how people have put the colours together, some colour selections are more popular than other years but as always we like it to be a challenge!

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Unfortunately due to poor weather the Voe Show was cancelled this year, very kindly the Cunningsburgh Show committee decided along with the Voe Committee to show the Voe entries also so I Judged that too, there are always some extremely beautiful pieces of knitting in the Voe Show so I am really happy they were able to be in the Cunningsburgh Show!

12 13knit2Of course alongside the Colourbox Challange there is a huge amount of knitwear entered into the show14knitFrom Lace to Fair Isle there was a huge range of items to be seen

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The fineness and skill in knitting Shetland Lace never ceases to amaze me and I was happy to see a few of our patterns knitted up, I spotted a Sheelagh and a Gibbie Shawl.

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Understandably the knitwear was very busy with people coming to see how they and their friends had fared as well as just coming to see the skills on show.

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Of course as it was a rural show there were lots of animals there too, obviously we spent a fair amount of time looking at all the sheep!

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22amooritBut as well as the sheep there were dogs, cattle, horses, ponies and poultry to name a few!

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25hensIt was a very busy but great morning, as judges we were also treated to a lovely dinner at the hall! Of course I always have my eye out for nice knitwear..

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I hope you enjoyed this peek into the Cunningsburgh Show! Til next time, Happy Knitting!

PS. remember there is still time to vote for Jamieson & Smith in the Best Brand for British Yarn category in the British Knitting Awards, if you like what we do at J&S you can vote for us here

KNITSONIK – BLOG TOUR PART 2!

As you may know, Felicity Ford has recently published a book ‘The Stranded Colourwork Sourcebook‘ We took part in the original blog tour which was part of the kickstarter campaign to raise the funds for the book. The full amount for the project had already been raised by the time we did our original post so we knew this book was going to be a roaring success!! We were lucky that the first copies of the book arrived in Shetland when Felicity was here for Shetland Wool Week so we got one of the first peeks.  I sent Felicity a few more questions to see how she was feeling now the book has come out!

the_cover-950x4251: How did you find the process of writing the book and are you pleased with how it has come out? I think it is beautiful!

I really enjoyed writing the book; I was lucky to have a talented team who shared my vision and gave tons of love to its production. Additionally, I was able to share milestones with the project backers through the Kickstarter site. Working on the book felt like going an adventure with loads of friends and I think it is richer for having had encouragement, input, energy and skills from many KNITSONIK comrades.
The little sections describing each inspiration source were the parts I most enjoyed writing because I discovered so much about my local area while researching them. The Berkshire Records Office and the Local Studies section of the central library in Reading were really helpful, providing me with access to building plans and street directories. Seeing and touching these old documents from Reading’s past made me feel more connected to the history here.

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As you will have seen, one section in the book celebrates my iconic Huntley & Palmers biscuit tin. I discovered through old census data that a William Chas Wellstead once lived at our address and that this individual had formerly worked as a tin-factory labourer. This information made my treasured little tin feel even more significant and personal. At the Berkshire Records Office I was enchanted to see the old building plans for the now demolished Huntley, Boorne & Stevens biscuit tin factory: this was where William once worked and where my tin was made.

Huntley_Boorne_Stevens-1-3Art_Deco-1Another snippet of local history celebrated in the book is an old pink Art Deco building on the Basingstoke Road. I was unable to discover when it was decorated in its distinctive shades. However in the Kelly’s Street Directory of 1949 the building was registered to Tokalon Ltd. (a cosmetics company) and when I found old Tokalon face powders on eBay the shades of pink were uncannily similar to the stucco facade.

TOKALON-1I don’t know if that was when it was painted but it’s a lovely coincidence!
These discoveries added extra context to my knitting and made me feel more connected to my town through stitches and patterns. Everyone who was involved in the project shared my joy in the lovely links between my knitting and my town and I feel that you can really see that in the final product.
I’m thrilled you think the book is beautiful. I am incredibly pleased with how it looks and want to credit the super talents of Fergus and Nic here because their photos and design are what really make the KNITSONIK Stranded Colourwork Sourcebook. Going on photo-shoots with Fergus was super fun as he really got the essence of the book and wanted to use the photos to show connections between my town and my knitting. The day when we went out together to photograph my bricks-inspired-swatch against the Reading brickwork was an especially happy one; I actually cried for joy when I saw his photos!

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It was also thrilling to pass Ferg’s wonderful photos over to Nic and see what she would do with them. I especially like the spread for the page opening the chapter about knitting places because the way Nic arranged Ferg’s photos is superb. She said “I wanted to put you in the middle, in your car, with all your favourite places around you” which is such a nice way to think about that chapter and something I could never have come up with by myself.
These are just two examples of how my amazing comrades have enriched this book with their talents and undoubtedly the best thing about writing the book was working with wonderful people.

2: What are your dreams for people who are using the book? We have had lots of Shetlanders asking about it!
My dreams are that people using the book will feel empowered to design stranded colourwork from things they love! I want to show that creativity is not mysterious, and that it involves practical steps which can be practised by anyone who wants to play.

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I hope the book will inspire knitters to start on hugely personal projects that feel rich and personal and significant… one of the reasons for spending all that time researching the history of old biscuit tins and factories is to show that these little things we notice each day really matter and are worthy of knitterly celebration.
I hope that reading the book will also inject a bit of fun and mischief into everyday life. The other day I saw a lovely message from Sarah who used to work for your company. She remarked on how the book had made her see some chimney pots in J&S yarn shades. That’s what it’s all about; finding inspiration and magic everywhere and cultivating creativity in unlikely places.

3: What are your best tips for people interested in colourwork but a bit scared to take the first step (apart from purchasing your book of course!) do you have any fail safe things to get colour and motifs inspirations from?

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My top tip is to edit your inspiration source down to a manageable size. If you start with the idea “I want to knit a swatch based on my favourite beach” then you may be overwhelmed! But if you can make this idea a bit smaller – “I want to knit a swatch based on this bit of sand, maybe using this individual shell and these pebbles for pattern ideas” then it has already become more manageable. Creativity is really just about solving problems – the first problem to solve is usually that the initial idea is vague, so defining the brief more clearly is the first step. I think a lot of people are tempted to start with nature subjects – a tree or a landscape for instance – and though these are beautiful and picturesque subjects they can also be quite complex. A single tree contains so many different shades and lines and colours that it can be hard to know where to begin. I address this in the book in my chapter on plants, and there are definitely ways to make it easier to knit from the natural world but if this seems complicated then you can’t go wrong with pleasing food packaging! A tin, a cereal box, even the washing up liquid bottle can all be superb starting points for stranded colourwork. These generally contain just a handful of colours which are easy to identify and it can be fun to hunt about in an initially simple-looking object for hidden patterns and shapes. I was delighted that in Shetland during Wool Week several comrades brought Tunnocks chocolate wrappers to my workshops as their inspiration source – these are ideal as they have really strong graphic lines and superb, bold colours.

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My favourite swatch in the book is the one based on my little handheld recorder. The object is so simple – just a little black plastic device with a digital screen and some buttons – that I really had to look hard to find details. Once I started, I had millions of ideas and it was a fun project.

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So my best tips are to start with a small idea or to start with a big idea and then make it smaller!

4: How do you think writing this book has changed how you will approach colourwork in the future?

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The main changes are that I have fallen in love with swatching (which I used to really dislike) and I feel more confident that you really can use anything as a starting point for designing stranded colourwork. When I started trying to design my own colourwork projects I didn’t know what I was doing; there were so many variables and I kept making ugly things or getting confused about the numbers or messing up the colours. As I solved each problem I got a bit more secure in my own creative process and my swatches got longer and longer as the ideas started really flowing.

In the Kickstarter video I said “I want to make this book for us” and in finding ways to clarify my process for other knitters, it inevitably became clearer to me. I had to put structure and language around what I do when I am designing stranded colourwork and that helped me to organise my thoughts. The result is that now I feel quite at home in the KNITSONIK system and know exactly where to start if I have an inspiration for stranded colourwork. I really hope the book makes others feel the same.

5: I really hope you liked working with our 2-ply Jumper Weight, I’m going to be horrible and make you choose your absolute favourite shade! If you can’t choose one, I at least want your top five!

Your 2-ply Jumper Weight is amazing and it was a pure delight to work with it for many reasons. Its provenance can be traced back to crofts on Shetland; its hand is soft and bloomy; and the range of shades is magnificent. After working on this book I almost know the shade card numbers by heart… there is no way I can choose one all time favourite shade, but my top five would be 9097, FC11, 202,1208 and 125.

90979097 is a calm red; it is the exact colour of the distant poppies that bloom on the horizon when driving my favourite road and it has a magical relationship with FC12 if you want to transition between red and green.

FC11FC11 is the most beautiful verdant green. It energises all plant-based design themes with its vivid hues; it is the colour of fresh leaves that have the sunlight passing through them.

202I think I used 202 more than any other shade in the book; it is an incredibly useful neutral shade and appears in many palettes with its translucent cool creaminess. It tempers brightness in surrounding shades and is really useful for describing such textures as faded pages or old paint; spots on a beach where the sunlight is hitting the sand; faded road markings and clouds. It is versatile and understated and I feel a must-have shade for every knitter trying to turn everyday inspirations into stranded colourwork!

12801280 is perfect for transitioning magically between purple and green shades as I discovered while I was knitting sloes. The bloom on a sloe is a beauteous and elusive thing but this shade I think goes some way towards capturing it.

125Finally I love 125 because it is almost the exact same colour as Reading Red. That is the colour that Reading clay fired to in the Victorian brickworks once plentiful in this town and there is nothing like it. You can see that the later bricks were not made of Reading clay because they are not the same vivid shade as your wonderful 125.

Thanks Felicity and Congratulations!