Real Shetland Wool – part 3

Thank you all for the great feedback from the past few posts. Before we get into the actual yarns we produce I have one more post about the wool that goes into our yarns, back to Oliver..

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Shetland Wool Processing.

To understand the first part of processing the fleece, we have to look to the wool quality and go back to the first report on Shetland sheep and its wool. As we talked about in another post the report by John Shirieff compiled in the 1790s, states there are two distinct breeds in the Islands. The ‘Kindly’ wool sheep with a very fine fleece and a the coarser wool sheep ‘although some of its fleece be fine , it is of a quality unfit for any general purpose of manufacture, some of it is as shaggy as a Welsh goat’ The kindly wool was much sought after in order to hand spin and knit into fine lace shawls, stoles etc. The coarser wool was of little use, some of it was used for the ‘grund’ the base of a ‘Tattit’ rug, which was constructed by the crofter and used as a bed covering, later on it was used on the floor as a mat. It is interesting to note that the  ‘Tattit’ rug collection some over 100 years shows little or no wear, meaning it was ideal for a floor covering, Shetland’s Tattit Rug collection will be the focus of a major exhibition at the Shetland Museum from the 23rd of May – 19th July.

Shetland sheep genetics ensure that these two distinct breeds survive to this day, through the centuries they cross bred between the two, so you can have both wool types in one fleece.  Superfine wool at the neck and shoulder through to the much coarser guard hairs toward the hips, which forms the britch. Some of the older crofters maintained that even the finest wool sheep should have a heavy britch in order to protect it when it was lying down amongst the coarse springy heather.

Shetland Fleeces waiting to be sorted in our Woolstore
Shetland Fleeces waiting to be sorted in our Woolstore

After we have graded the wool into five grades selecting the fleece by style ‘crimp’ uniformity of quality, strength, springiness and handle – softness and of course fibre fineness. Next step is hand sorting of the fleece  which means the coarser guard hairs are separated from the finer fibre. If  the guard hair is not separated at this stage you will end up with a coarser itchy yarn.

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Definitions of terms used are as follows:

Degree of Fineness.

The diameter of the wool fibre influences to a large extent the use to which the wool can be put and also the length of yarn that can be spun from a given weight of wool. Users and manufacturers normally use a series of quality numbers to indicate fibre fineness.

These numbers in ascending order of fineness, are 28s ( the thickest, coarser fibres)32s,36s,49s,44s,46s,48s,50s,56s,58s60s,64s,70s,90s,100s ( the  very thinnest, finest fibres.) Most British wools are within the range 28s to 58s. An average Shetland fleece is around 56s/ 58s . Quality numbers are not based on any particular unit of measurement, they are standards handed down from generation to generation of woolmen and can be learned only by practical experience and handling of wools.

Length of Staple.

This is the measurement of the unstretched staple from tip to base. The figures quoted are the standards for each grade.

Handle of Wool.

The softness or harshness of the wool when handled.

Degree of Lustre

This refers to the amount of gloss or sheen visible on the fibres. Degree of lustre varies greatly between different types. A bright lustre is an asset for certain manufacturing processes.

Colour

The nearness of the wool to white (or black in the case of black fleeces.).

Strength

The ability of the staple to resist breaking during manufacture. The word ‘sound’ is used to describe wool of satisfactory strength rather than ‘strong’ which, in wool terminology, refers to thick or coarse fibres. The opposite to a sound wool is a ‘tender’ wool. Tender wools may have a break in all the fibres at one point in the staple as a result of illness or drought.

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Other Terms used include the following:

Grey Fibres

The presence of grey or black fibres in a fleece restricts its dyeing range to the darker shades. This fault occurs in many of the white- woolled breeds.

Kemp.

A brittle white fibre, shed during the growth of the fleece, which is extremely difficult to dye. In Welsh wool red kemp is often found.

Light Arable

A term applied to wool which contains up to 6% soil, peat moor, or sand due to the sheep having been run on arable crops or peat moors.

Arable.

A term applied to wool which contains over 6 % of soil or sand.

Hog (yearald ).

This refers to wool from a sheep that is first shorn as a yearling.

Ewe & Wether

Refers to wool from the second and subsequent shearing’s.

Yield

The amount of clean, dry wool remaining after the dirt and grease in the fleece has been scoured away commercially.

raw wool bales being shipped away, a common sight at J&S during the Summer months.
raw wool bales being shipped away for processing, a common sight at J&S during the Summer months.

Various Stages in wool processing.

The wool process begins with shearing which takes place once a year usually during the early summer. Once the sheep has been shorn the wool is taken to us at Jamieson & Smith, then graded and sorted as described earlier. The wool is then shipped away to be processed and dyed on the mainland, something we have always done. Originally at Hunters of Brora and now via our parent company, Curtis Wool Direct.

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After grading and sorting the wool is then passed through the scouring and washing plant, where five different washes remove the natural grease and other foreign matter. A by- product of scoured wool is Lanolin which is extracted from the grease and is used in the manufacture of fine soaps and cosmetics.

Carding is the next stage. The object of carding is to separate and straighten the long fibres whilst eliminating vegetable matters such as heather, peat lumps etc. The carding machine produces a continuous ribbon of loose fibres approximately the thickness of one’s wrist, known as carded silver.

At this stage you can choose two different avenues of spinning, they are the worsted and the woollen process. To deal with the former first the wool goes through a stage called combing. The worsted process uses only the long fibres, the carded silver is combed to separate the long fibres from the short (noil ). After combing the fibres run parallel with each other to form a combed top in preparation for spinning. Dyeing is often done at this stage.

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Spinning  – Worsted process. Prior to spinning, the carded ‘top’ is drawn into a finer ribbon and a slight twist added which is then called a ‘roving’. The ‘roving’ is then placed on to the spinning frame, drawn out and twisted into a fine single ply yarn. Depending on the end use of the yarn can be twisted into a fine single ply yarn but also to form two, three or multiple ply yarn.

Moorit 2ply Supreme Lace Weight, one of our Worsted spun ranges.
Moorit 2ply Supreme Lace Weight, one of our Worsted spun ranges.

Spinning – Woollen process. Spinning for the woollen process produces a softer bulkier handle to the yarn as opposed to worsted spinning which produces a stronger finer quality yarn.  A considerable quantity of yarn produced by the the woollen process goes into knitting wools and knitted products.

Shetland Supreme 2ply Jumper Weight, one of our Woollen Spun yarn Ranges
Shetland Supreme 2ply Jumper Weight, one of our Woollen Spun yarn Ranges

In the next post I will start with our most famous yarn, 2ply Jumper Weight! so look out for that next week,

happy knitting and have a good weekend! x

16 responses to “Real Shetland Wool – part 3”

  1. Helen Trejo Avatar

    Thank you for sharing all of this insigntful info about shetland sheep, and fiber processing! It was interesting to read about the ‘kindly’ sheep wool quality, and the mixture of it with the coarser fibers. You mentioned that the separation of fine and coarse fibers is done after the fiber grading. Is there any machinery available to help with ‘de-hairing,’ or is it always done by hand? (I think the mixture of coarse with fine fibers is also an issue with cashmere, and there is machinery to help with the separation.) Great to learn about worsted and woolen distinctions, looking forward to the next post! 🙂

  2. Debbie Avatar
    Debbie

    Thanks so much for these wonderful blogs! I am a HUGE fan of J&S and love the quality of the yarn. I will pass these blogs along to Needles of Fury, a student organization on the campus of Illinois State University, located in Normal, Illinois.

  3. DominiqueBe Avatar
    DominiqueBe

    I’ve been reading your “feuilleton” since it started. So interesting!
    I visited Shetland last year in may, and fell in love at the first sight, just want to go back as soon as possible!
    Dominique, from Belgium.

  4. michelle McMillen Avatar

    Thanks for making the education of the fleece-buying public easier! I plan to share links to these posts on my blog and with my buyers. I breed kindly-fleeced Shetlands in the U.S., where the “crossbred-fleeced” Shetlands — and even the “Welsh goat-fleeced” Shetlands — are far more common, and thus are accepted by many as what Shetland SHOULD be.

  5. sophy0075 Avatar
    sophy0075

    I love the use of the term “arable” to refer to the amount of soil in the fleece.

  6. Janet Robinson Avatar
    Janet Robinson

    Thanks for the very interesting blog. Long may it continue . I have used Jamieson and Smith wool for about 30 yrs. I work out doors and the beautiful hats, jumpers and wrist warmers I have knitted have served me well for many years, resisting wear,pilling and water like no other wool can. Soft squishey merino just doesn’t do it for out door wear. Janet Robinson

  7. barbara Avatar
    barbara

    Thank you Oliver for an extremely interesting post.

  8. Susan Avatar
    Susan

    Ah yes, I do know ‘arable’ and some of it came from a Shetland from Shetland with so much peat in it we thought it would Never be free of it!! Am still wearing my hap after 12 years and love it…actually it’s me bed shawl and a good friend it is 🙂

  9. Nancy MacMillan Avatar
    Nancy MacMillan

    Brilliant post! I wonder how long it takes to gain the ability to sort by feel and sight as Oliver does. While on a tour, I watched the main sorter work, in our local Wool Co-operative and he was quite quick. He had two young men assisting but alas I don’t know if they sorted as well, or were in training to do so.

    I know some people just seem to have a good hand, while others really struggle to feel the difference, when touching raw fleece or finished woolen products. Did Oliver learn to be a good judge of fleeces or did he naturally have a good hand, thus making it easier to train, for the fleece sorting he does?

  10. curtthesheep Avatar

    I think it is always important to remind people what the origin is of the products they spend their hard earned money on. This series of blogs will show just how much work is involved in getting that unique Real Shetland Wool product to you, whether it be one of the world famous Jamieson and Smith hand and machine knitting yarns, a throw, a duvet, a carpet or rug or a fabulous bed filled with beautiful bulky and springy wool. It is a story that we must never forget and never stop telling because new generations deserve to know that they are getting the best wool #naturally and should treasure it just as we do.

  11. Banbha Knits Avatar

    Reblogged this on Banbha Knits and commented:
    And part 3. Really enjoying this article!

  12. British Knitting Awards 2015! | Jamieson & Smith Avatar

    […] for generations to come. Hopefully this comes across in some of the recent blogs (see here here here), and also the yarn series we are currently doing going through all our yarn weights.(see here here […]

  13. Yarn Series – Shetland Supreme Jumper Weight | Jamieson & Smith Avatar

    […] Another reason most of the mills have to dye or ‘add a touch of dye’ is that we at Jamieson & Smith buy roughly 80% of the entire Shetland wool clip , the majority of which is white with only a limited amount of natural coloured which we use for these our 9 shades. We need a substantial amount of natural coloured fleece in order to produce all the shades in the palette. This means we have to do a lot of hand sorting to separate the various fibre qualities and of course shades which can be found in one fleece. For more information about the Natural Wool and the Sorting process see our earlier posts here and here. […]

  14. […] Oliver at Jamieson & Smith, who is a wool classer and has been working at Jamieson & Smith for 49 years (he writes for the J&S blog and there is a great post here about Shetland sheep and here about sorting and classing the wool); […]

  15. Uttam Avatar
    Uttam

    So worst information

  16. Chris Harrison Avatar
    Chris Harrison

    Very informative Oliver and we are proud to be associated with Shetland. We will continue to support and promote the use of Shetland wool

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